- The Fantastics vs. Eddie Gilbert & Ron Simmons — NWA United States Tag Team Championship tournament final
- Ric Flair & Barry Windham vs. The Midnight Express
Clash of the Champions IV: Season's Beatings — WCW Arrives, but the Old Problems Come Too
The factual record, historical context, match-by-match analysis, and WrestleFile verdict.
- PROMOTION
- World Championship Wrestling / National Wrestling Alliance
- DATE
- December 7, 1988
- VENUE
- UTC Arena
- LOCATION
- Chattanooga, Tennessee
- ATTENDANCE
- 8,000
- EVENT TYPE
- TV Special
Clash of the Champions IV: Season's Beatings is one of the strangest hinge-point shows in American wrestling history. The ownership has changed, World Championship Wrestling is now the primary promotion name, and Turner Broadcasting is testing what its new wrestling property can look like on live television. Yet the card still feels unmistakably like the company Jim Crockett Promotions had been days earlier: brilliant tag-team workers on the ends, bafflingly overextended midcard ideas in the middle, and a roster capable of making almost any bad concept briefly feel important.
Read the Full FileContinue the event-level analysis
The result is a transitional special that matters more than it consistently entertains.
Event ContextBackground, stakes & historical setting
The fourth Clash aired live on TBS from UTC Arena in Chattanooga, Tennessee, on December 7, 1988, with roughly 8,000 fans in attendance and a 4.5 television rating. The date is more important than the number attached to the show. Turner Broadcasting had purchased Jim Crockett Promotions in November, and this became the first Clash staged under World Championship Wrestling as the primary promotion identity while the company remained aligned with the National Wrestling Alliance. The presentation therefore catches the organization between names, owners, booking eras and visual identities. Even the experimental overhead camera feels like a company touching every button on the control panel to see what the new machine can do.
The wrestling card is similarly divided between what the promotion did exceptionally well and what it desperately needed to leave behind. The Fantastics, Eddie Gilbert and a still-developing Ron Simmons open with a long U.S. Tag Team title tournament final built around patient escalation. Ric Flair and Barry Windham close against the Midnight Express in the sort of fast, personality-rich tag match this roster could produce almost casually. Between them sit Steve Williams working fifteen minutes with the Italian Stallion, Ivan Koloff wrestling manager Paul Jones with one arm tied behind his back, and a three-minute Dusty Rhodes–Animal angle disguised as a match. Starrcade is only nineteen days away, so nearly everything is trying to point forward.
Watch, Skim or Skip?
- Dusty Rhodes vs. Road Warrior Animal — control of the NWA World Six-Man Tag Team Championship
- Steve Williams vs. The Italian Stallion
- Ivan Koloff vs. Paul Jones
The Card, On the Record
01The Fantastics vs. Eddie Gilbert & Ron Simmons — NWA United States Tag Team Championship Tournament FinalC+
Twenty-seven minutes is a substantial request for two babyface teams without a blood feud, but the match earns much of its length by gradually changing the emotional temperature. Ron Simmons supplies raw power and obvious upside, Eddie Gilbert supplies the veteran connective tissue, and the Fantastics keep finding ways to make basic arm work and quick tags feel urgent. The most interesting stretch comes when Gilbert's arm becomes the target and the usually sympathetic Fantastics become more aggressive because a vacant championship is at stake. The finish is simple, but the match gives the tournament a legitimate final rather than a ceremonial one.
A long, intelligent title match that shows how much mileage this roster could get from fundamentals.
02Steve Williams vs. The Italian StallionF
The core problem is not that Italian Stallion gets offense; it is that the match spends fifteen minutes asking the audience to believe a competitive struggle that does almost nothing for the newly harder-edged Steve Williams. Williams looks physically superior whenever he decides to impose himself, which makes every extended Stallion comeback feel less like resilience and more like a booking choice without a destination. Rest holds and loose transitions stretch a match that should have been a compact demonstration of Doc's violence. The Oklahoma Stampede finally ends it, but by then the segment has reversed the usual purpose of enhancement talent.
A showcase match accidentally expanded until the showcase disappears.
03Ivan Koloff vs. Paul Jones — One Arm Tied Behind Koloff's BackF
This is an angle with enough material for a few minutes and nearly nine minutes of television to fill. Ivan Koloff has one arm tied behind his back, so the physical vocabulary is restricted before the bell even rings. Paul Jones is a manager rather than an opponent who can compensate with pace or technique, leaving the match dependent on punching, stalling and the eventual foreign-object reversal. The post-match attack and Junkyard Dog save at least point the story toward something else, but the journey there is inert. A shorter version could have delivered every useful beat with more energy and less exposure.
A workable television angle stretched into a match it cannot support.
04Dusty Rhodes vs. Road Warrior Animal — Control of the NWA World Six-Man Tag Team ChampionshipF
There is real hostility underneath the match because the Road Warriors' turn on Dusty Rhodes was one of the company's most violent late-1988 angles, but almost none of that gets room to become a wrestling match. Dusty attacks the leg, Animal targets the injured eye, the referee gets displaced, and Sting and Hawk arrive before the segment has established a rhythm. The disqualification gives Animal control of the six-man championship situation and helps set up Starrcade, so the angle performs a practical job. As a scored match, though, it is barely more than a televised chapter break.
Useful feud advancement, negligible standalone match.
05Ric Flair & Barry Windham vs. The Midnight ExpressB
Four elite workers rescue the closing stretch of the show by treating a television tag match like a chance to prove a point. Bobby Eaton and Stan Lane are fearless against the world and United States champions, while Flair and Windham understand that making the Midnights look dangerous creates better drama than simply overpowering them. Flair's bumps, Windham's delayed selling and the Express's rapid double teams keep the match moving without sacrificing character. The finish uses managerial chaos and a cheap shot, but it fits the Horsemen rather than invalidating the work. It is the clearest reminder on the card that WCW inherited an absurdly deep tag-team ecosystem.
The first Turner-era Clash ends with four masters showing exactly what the new company should keep.
BOOKING VERDICTC-
Booking Grade: C-. The opener and main event are sensible television attractions, and both help move championships or Starrcade programs without sacrificing the wrestlers involved. The middle hour is another matter. Steve Williams had just leaned harder into the Varsity Club orbit, yet the show asks viewers to watch him struggle through a quarter-hour with a career underneath wrestler. Ivan Koloff and Paul Jones receive eight minutes for a one-arm handicap premise that barely supports a short angle. Dusty Rhodes and Animal then go less than three minutes before interference and disqualification. Those choices create the familiar Clash problem: the show is technically advancing stories, but it often makes the live television special feel like connective material instead of the destination.
CROWD & PRESENTATIONB+
Crowd & Presentation Grade: B+. Chattanooga gives the useful material a strong television atmosphere, especially the tag matches that bookend the card. Jim Ross and Bob Caudle keep the show grounded, and the backstage interviews give the broadcast a rough, immediate quality that contrasts favorably with more polished national wrestling television. Turner-era experimentation is visible almost immediately, including the much-discussed overhead camera angle and frequent crowd cuts. Some of it works as a sign of investment; some of it feels like a production crew discovering in public why certain angles are not standard wrestling shots. The building is full enough and loud enough that the stronger matches still feel major.
HISTORICAL SIGNIFICANCEA+
Historical Significance Grade: A+. Clash IV is the first Clash after Turner Broadcasting purchased Jim Crockett Promotions, and the first installment WrestleFile places in the WCW technical Clash namespace rather than the JCP one. That distinction is not cosmetic. It marks the point where the same television franchise, same NWA championships and many of the same performers cross an ownership boundary that will define the next twelve years of major American wrestling. WCW is not yet fully detached from its Crockett presentation, but the corporate future has arrived.
The show also functions as a direct bridge to Starrcade 1988. The Road Warriors–Dusty Rhodes feud, Rick Steiner's break from the Varsity Club, the United States Tag Team tournament and the continued prominence of Flair and Windham all feed the next major card. In hindsight, that makes Season's Beatings less a clean beginning than a transfer of custody: old programs are being finished while a new owner inherits the television platform, talent base and creative problems. That makes the event historically essential even when long stretches of the wrestling are not.
WHAT AGED WELL
- The Midnight Express against Ric Flair and Barry Windham remains a terrific collision of elite tag-team craft, bumping and personality.
- The Fantastics, Eddie Gilbert and Ron Simmons give the tournament final a patient structure that rewards the long runtime.
- Jim Ross and Bob Caudle make the live TBS presentation feel immediate without overselling every moment.
- The show captures the exact ownership transition from JCP to Turner-era WCW, giving ordinary production details unusual historical weight.
WHAT AGED POORLY
- Steve Williams working a competitive fifteen-minute match with the Italian Stallion undercuts the momentum of his heel presentation.
- Ivan Koloff versus Paul Jones lasts far longer than the one-arm stipulation can sustain.
- Dusty Rhodes versus Animal is essentially an angle with a disqualification finish packaged as a championship-control match.
- The experimental overhead camera and repeated crowd cuts demonstrate why wrestling television eventually standardized better viewing angles.
RESEARCH VERDICTWhere the Evidence Lands
Retrospectives split sharply because the show itself is split sharply. Scott Keith praised the opener at three-and-a-half stars and the main event at four stars while treating the middle of the card as a wasteland. Mike Campbell likewise liked the two tag matches and gave the complete show a 7.5, arguing that the running Starrcade angles made it stronger than the previous two Clashes. Current CAGEMATCH voting is harsher on the whole event, while its matchguide still isolates the same two strengths. The five-match WrestleFile sample averages 4.300; the higher event score reflects presentation, connective booking value and exceptional historical significance without pretending the middle three matches are good.
RESEARCH SOURCESSources & Methodology20 sources
These sources support the event record, historical context, critical reception, and streaming information used throughout this Event File.
- Scott's Blog of Doom — Clash of the Champions IVMatch-by-match retrospective, star ratings and whole-show verdict
- Scott's Blog of Doom — Gary Reflects on Clash IVRetrospective context and reaction to the Turner-era transition
- 411Mania — Reviews From The City of OrangeMatch review, overall 7.5 score and Starrcade-build assessment
- 411Mania — Dark Pegasus Video ReviewMatch review and retrospective evaluation
- 411Mania — Chrononaut ChroniclesHistorical recap and match-by-match review
- 411Mania — From the NetworkRetrospective full-show review
- CAGEMATCH — Clash of the Champions #4Exact event identity, attendance, live TBS details, card, official video and current ratings
- CAGEMATCH — Clash of the Champions #4 ratingsExact-event rating history and comments
- CAGEMATCH — Clash of the Champions #4 matchguideExact-event matchguide ratings
- The History of WWE — Clash of the Champions IVHistorical results and event chronology
- Bleacher Report — Best Clash of the Champions ShowsSeries-level retrospective ranking context
- Inside Pulse — Clash of Champions IV Retro RepostRetrospective whole-show review
- Wrestling Reaction — Clash IV ReviewModern retrospective match and event assessment
- KB's Wrestling Reviews — Clash of the Champions IVFull-card retrospective review
- Cageside Seats — On This Date: Clash IVHistorical context and anniversary recap
- TheSportster — Every Clash RankedSeries-level ranking context
- Legacy of Wrestling — Clash of the Champions HistorySeries chronology and results context
- Retro Pro Wrestling — Clash of the Champions IVEvent review and historical context
- PWInsider — This Day in History: Clash IVAnniversary context and event history
- WCW YouTube — Clash of the Champions IVCurrent official-video availability corroborated by CAGEMATCH
WHERE TO WATCHStream This Event
Stream This Event
YouTube - Free
A complete replay is currently available free at the exact WCW YouTube event URL https://www.youtube.com/watch?v=338cobaONOg, which CAGEMATCH links as the event's official video. The separate OmYoDq-EQ14 link was not used as the provider because the 338cobaONOg event upload could be verified directly.
WrestleFile lists only streaming options we have specifically confirmed. Availability varies by country and can change.