- The Rock 'n' Roll Express vs. The Midnight Express
- Ric Flair vs. Lex Luger - NWA World Heavyweight Championship
WrestleWar '90: Wild Thing: Sting Got Hurt, Luger Got the Shot, and Flair Got 38 Minutes
The factual record, historical context, match-by-match analysis, and WrestleFile verdict.
- PROMOTION
- World Championship Wrestling / National Wrestling Alliance
- DATE
- February 25, 1990
- VENUE
- Greensboro Coliseum
- LOCATION
- Greensboro, North Carolina
- ATTENDANCE
- 7,894
- EVENT TYPE
- PPV
WrestleWar '90: Wild Thing is a good show built around a problem WCW never wanted to solve. Sting was supposed to challenge Ric Flair and probably become world champion. Then Sting blew out his knee at Clash of the Champions X, forcing WCW to turn Lex Luger back into a babyface and ask him to carry the biggest match on short notice. The emergency plan works far better than it should.
Read the Full FileContinue the event-level analysis
The undercard is uneven. Kevin Sullivan and Buzz Sawyer produce a competent opener, Cactus Jack's pay-per-view debut is more interesting historically than athletically, and the Road Warriors' street fight is over almost before it begins. Brian Pillman and Tom Zenk then spend nearly twenty-five minutes trapped in a Freebirds match that feels twice as long as it is.
Two matches save the card. The Rock 'n' Roll Express and Midnight Express deliver one more great version of a feud they had already wrestled countless times, complete with Ricky Morton taking a beating, Jim Cornette cheating brilliantly and a Greensboro crowd that understands every beat. Then Flair and Luger go thirty-eight minutes and turn an emergency main event into a major championship fight.
WrestleWar '90: Wild Thing earns B- / 7.2. The seven matches average 6.586, which accurately captures a card with two excellent peaks and several stretches of mediocrity. The ending to Flair-Luger is frustrating, but the match itself is strong enough to make the entire event worth revisiting.
Event ContextBackground, stakes & historical setting
WrestleWar '90: Wild Thing took place on February 25, 1990, at the Greensboro Coliseum in Greensboro, North Carolina. The event drew a reported 7,894 fans and approximately 175,000 pay-per-view buys. It was the second WrestleWar event and the first WCW pay-per-view of 1990.
Seven matches aired. Ric Flair defended the NWA World Heavyweight Championship against Lex Luger, the Steiner Brothers defended the World Tag Team Championship against Arn and Ole Anderson, and Brian Pillman and Tom Zenk defended the United States Tag Team Championship against the Fabulous Freebirds.
The main event changed only weeks before the show. Sting had been scheduled to challenge Flair but suffered a serious knee injury during the angle that followed Clash of the Champions X. Luger, who had been positioned as a heel and was originally expected to defend the United States Championship against Steve Williams, was turned babyface and inserted into Sting's title match.
The card also featured the Rock 'n' Roll Express against the Midnight Express, the Road Warriors against the Skyscrapers in a Chicago Street Fight, Norman the Lunatic against Cactus Jack Manson, and Kevin Sullivan and Buzz Sawyer against the Dynamic Dudes. Cactus Jack's appearance became his first WCW pay-per-view match.
Watch, Skim or Skip?
- Kevin Sullivan & Buzz Sawyer vs. The Dynamic Dudes
- The Steiner Brothers vs. Arn Anderson & Ole Anderson - NWA World Tag Team Championship
- Norman the Lunatic vs. Cactus Jack Manson
- The Road Warriors vs. The Skyscrapers - Chicago Street Fight
- Brian Pillman & Tom Zenk vs. The Fabulous Freebirds - NWA United States Tag Team Championship
The Card, On the Record
01Kevin Sullivan & Buzz Sawyer vs. The Dynamic DudesC-
The opener is competent without becoming memorable. Shane Douglas and Johnny Ace work the arm early, Sawyer bumps with more enthusiasm than the match requires and Sullivan provides the rougher veteran control. The Dynamic Dudes have dropped some of the most embarrassing presentation from 1989, which helps the wrestling feel less immediately artificial.
Douglas spends the middle trapped in the heel corner before Ace receives the hot tag and runs through dropkicks and quick offense. Sawyer eventually shuts him down and wins with a top-rope splash. The finish is clean, the structure is recognizable and the ten minutes move reasonably well. It is exactly the kind of average opener that establishes the card without demanding a second viewing.
A competent opener with energetic Buzz Sawyer bumps and little else that survives the night.
02Norman the Lunatic vs. Cactus Jack MansonD+
Cactus Jack's WCW pay-per-view debut is historically interesting and athletically modest. The best moments happen outside the ring, where Jack takes a hard backdrop over the railing and uses the floor and post to create a more physical fight. Those bumps already hint at the performer Mick Foley will become.
Inside the ring, the match slows badly. Norman relies on headbutts, bearhugs and basic power offense, while Jack spends too much time in holds that do not fit the intensity of his ringside work. Norman eventually escapes a piledriver attempt and wins after dropping Jack from his shoulders. The historical curiosity is stronger than the nine minutes of wrestling.
Cactus Jack's first WCW pay-per-view match matters more as a career marker than as a match.
03The Rock 'n' Roll Express vs. The Midnight ExpressA-
The teams have wrestled each other countless times, and that familiarity becomes an advantage rather than a limitation. Ricky Morton and Robert Gibson know exactly how to frustrate Bobby Eaton and Stan Lane early, while Jim Cornette turns every referee distraction into another small piece of cheating. Greensboro reacts to every layer because the rivalry's language is already established.
Morton eventually becomes the target, and the Midnight Express build the long control segment around preventing the tag rather than simply filling time. Eaton and Lane use the railing, Cornette's racket and blind tags while Gibson repeatedly tries to intervene. When Morton finally creates the opening, Gibson's hot tag produces the loudest sustained reaction of the undercard.
The finish is crowded but satisfying. Cornette cracks Gibson with the loaded racket, the Midnight Express nearly steal the win and Morton recovers just enough to help create Gibson's roll-up on Lane. Nearly twenty minutes of old-school tag structure lands because every role is clear and every shortcut has a purpose.
One more classic chapter proves a familiar tag formula can still feel fresh when everyone understands it perfectly.
04The Road Warriors vs. The Skyscrapers - Chicago Street FightD+
The match has the right physical ingredients and almost no time to use them. Hawk and Animal immediately trade punches with Mark Callous and the masked Mike Enos, creating a heavyweight brawl that looks more conventional than the Chicago Street Fight label suggests. The crowd reacts strongly to the Road Warriors but never receives a real escalation.
Callous eventually leaves the match, Enos takes the Doomsday Device and the Road Warriors win in under five minutes. The post-match confrontation with Doom is more energetic than most of the advertised fight and makes the actual match feel like setup. As a glimpse of pre-Undertaker Callous it has curiosity value; as a street fight it is underdeveloped.
A five-minute street fight becomes the opening act for a better Road Warriors-Doom brawl after the bell.
05Brian Pillman & Tom Zenk vs. The Fabulous Freebirds - NWA United States Tag Team ChampionshipC-
The first several minutes are lively enough to suggest a good title match. Pillman uses speed and springboard offense, Zenk hits clean dropkicks and the champions briefly mock the Freebirds by stealing their entrance gear. Then the match settles into a long control section that drains nearly all of that energy.
Michael Hayes and Jimmy Garvin repeatedly use chinlocks, stalling and basic shortcuts to isolate Zenk. The crowd becomes noticeably quieter while the champions wait for the eventual hot tag. Pillman finally enters with dropkicks and quick offense, then catches Garvin with a top-rope crossbody to retain.
The finish is good and Pillman looks excellent in the final burst, but nearly twenty-five minutes is far too much for the material between those peaks. The match feels like a fifteen-minute structure stretched until the audience stops caring.
Pillman's late burst cannot fully rescue twenty-five minutes of stalling and chinlocks.
06The Steiner Brothers vs. Arn Anderson & Ole Anderson - NWA World Tag Team ChampionshipC
The matchup looks stronger on paper than it plays in the opening half. Arn and Ole repeatedly stall, slow the pace and try to force the Steiners into their preferred arm-work structure. Rick and Scott answer with power, but the match takes several minutes before the athletic contrast becomes interesting.
Once Scott becomes the target, the Andersons' arm work gives the bout a clearer direction. Arn uses the railing, Ole attacks the limb and the champions finally have something meaningful to overcome. Scott's sudden Frankensteiner wakes the building instantly and reminds everyone why the Steiners are different from every older tag team on the card.
Rick eventually catches Ole in a small package to retain. The finish is anticlimactic, and the Andersons attack Scott's arm afterward to restore heat. The match is solid rather than great, with enough technical structure to survive a pace that often feels older than the rest of WCW.
The Andersons slow everything down until one Frankensteiner reminds Greensboro which team represents the future.
07Ric Flair vs. Lex Luger - NWA World Heavyweight ChampionshipA
Flair and Luger wrestle like the replacement main event has to justify itself. Flair spends the early stages avoiding Luger's power, attacking the leg and repeatedly trying to create distance whenever the challenger gains momentum. Luger keeps the offense simple: presses, clotheslines, powerslams and constant attempts to force Flair into the Torture Rack.
The final third becomes excellent. Flair abuses the Figure Four and the ropes, Sting hobbles to ringside on crutches to motivate Luger, and the challenger begins surviving everything. A referee bump prevents a clear pin after the superplex, Luger fights off the Horsemen and finally traps Flair in the Rack while the crowd explodes.
Then the Andersons attack Sting. Luger releases the hold to save his friend and is counted out, allowing Flair to retain after thirty-eight minutes. The finish is mechanically frustrating and emotionally understandable. The match itself is outstanding, turning an emergency replacement into a championship fight that feels worthy of the main-event slot.
An emergency title match becomes a thirty-eight-minute classic before friendship costs Luger the championship.
BOOKING VERDICTB-
The booking earns B- because WCW handles the Sting injury with surprising competence. Turning Luger babyface gives Flair a credible challenger without inventing a replacement star from nowhere, and Sting's presence at ringside makes the title match feel connected to the story the audience had originally paid to see. Luger comes across as loyal rather than foolish when he abandons the Torture Rack to save Sting from the Horsemen.
The countout finish is still the largest deduction. Luger has Flair trapped in the Rack and appears ready to win the championship before the Andersons attack Sting. Luger makes the save and is counted out, allowing Flair to retain without pinning the challenger. The protection makes sense, but the visual of the babyface choosing friendship over the title is more satisfying emotionally than competitively.
The tag programs are handled unevenly. The Rock 'n' Roll Express beat the Midnight Express clean enough to give their latest chapter a real ending, while the Steiners retain over the Andersons before the veterans attack Scott's arm. Pillman and Zenk also retain, but the twenty-four-minute match does very little to strengthen the champions.
B- reflects a show where the central emergency booking works, even if several undercard matches exist mainly to preserve or transition programs. The main event creates a believable bridge from Sting's injury to Luger-Flair at Capital Combat instead of allowing the top of the card to collapse.
CROWD & PRESENTATIONB+
Crowd and Presentation earns B+ because Greensboro comes alive whenever the card gives it something substantial. The Rock 'n' Roll Express and Midnight Express receive exactly the kind of reactions their rivalry was built to produce, with competing chants, loud heat for Cornette and a major response to the final hot tag.
The main event is even stronger. Flair and Luger gradually wake up a crowd that had been worn down by the long United States tag-title match and a slow world-tag bout. By the final ten minutes, every powerslam, Figure Four escape and Torture Rack tease sounds important.
Jim Ross and Terry Funk are excellent together. Ross treats the championship match like a legitimate sporting event, while Funk adds enough unpredictability to keep the broadcast from becoming too formal. Their commentary also gives the show continuity by repeatedly returning to Sting's injury and Luger's sudden role as replacement challenger.
The presentation occasionally feels dated in the wrong ways. The Wild Thing branding includes awkward early-1990s rap material, and several matches are visually flat compared with the atmosphere of the main event. Still, the Greensboro Coliseum, hot crowd and strong announce team give the important parts of the card a major-show feeling.
HISTORICAL SIGNIFICANCEA
Historical Significance Grade: A. WrestleWar '90 is the event where WCW's planned coronation of Sting becomes the Lex Luger contingency plan. Sting's injury delays his first world-title victory until The Great American Bash and creates a temporary Luger-Flair program that becomes one of the strongest emergency pivots in the company's early history.
The main event matters because Luger proves he can work an extended championship match as the top babyface. He does not win, but thirty-eight minutes with Flair keeps the world-title picture credible while Sting heals. Their program continues into Capital Combat before the company returns to the original Sting destination.
Cactus Jack Manson's match with Norman is another historical marker. It is his first WCW pay-per-view appearance, years before Mick Foley becomes one of the most important personalities of the late 1990s. The match itself is ordinary, but the name on the card becomes far more significant with hindsight.
The Chicago Street Fight also includes Mark Callous, only months before he leaves WCW and becomes The Undertaker in the WWF. Combined with the Sting injury, Luger pivot and Cactus Jack appearance, WrestleWar '90 captures several careers at important transition points and earns a clear A historically.
WHAT AGED WELL
- The Rock 'n' Roll Express versus Midnight Express has aged best because the formula is almost perfectly understood by everyone involved. Ricky Morton takes the beating, Bobby Eaton and Stan Lane cheat with precision, Jim Cornette turns every referee distraction into an opportunity and Robert Gibson's eventual hot tag feels earned. Familiarity does not hurt the match because the execution is so sharp.
- Flair versus Luger also holds up remarkably well. Luger keeps his offense simple and believable, using presses, clotheslines, powerslams and the Torture Rack, while Flair spends the match trying to survive through movement, leg work and shortcuts. The contrast gives thirty-eight minutes a structure rather than making the match feel like endurance for its own sake.
- The audience reaction improves both matches. Modern viewers can hear exactly when the crowd starts believing Luger might win and when Morton has taken enough punishment that Greensboro desperately wants Gibson in the ring. That kind of crowd-response storytelling does not require explanation.
- The Steiners' flashes of athleticism also remain impressive. Scott's Frankensteiner is still presented like something from the future, and the crowd responds accordingly. Even in a slower match, one explosive move immediately demonstrates why the team was becoming one of WCW's defining acts.
WHAT AGED POORLY
- The United States tag-title match has aged worst because nearly twenty-five minutes are built around stalling and long control holds. Michael Hayes and Jimmy Garvin slow the match repeatedly, Tom Zenk spends an enormous amount of time trapped in chinlocks, and the audience visibly loses interest before Pillman's late hot tag.
- Norman versus Cactus Jack also feels primitive compared with what Foley would become. The ringside bumps provide brief energy, but the bulk of the match consists of headbutts, bearhugs and basic control. The historical curiosity is stronger than the wrestling value.
- The Chicago Street Fight does not resemble the violent stipulation modern audiences expect. Most of the match stays in or immediately around the ring, Mark Callous eventually walks away and the masked Mike Enos takes the Doomsday Device. The post-match Road Warriors-Doom brawl is more exciting than the advertised fight.
- The main-event ending is still frustrating. Arn Anderson makes visible contact with Luger while the referee is active, yet the official continues the countout rather than calling a disqualification. The story WCW wants is understandable, but the mechanics do not withstand close inspection.
RESEARCH VERDICTWhere the Evidence Lands
Robert Leighty Jr.'s 2024 411Mania review gives WrestleWar '90 a 7.0 out of 10. He rates the Dynamic Dudes opener at two stars, Norman-Cactus at one, Rock 'n' Roll Express-Midnight Express at four, the street fight at one and one-half, Pillman-Zenk versus the Freebirds at one, the Steiners-Andersons match at two and Flair-Luger at four and one-quarter.
His summary is direct: two great matches and a lot of material that ranges from acceptable to boring. That distribution matches the shape of the event more accurately than treating WrestleWar as either a classic or a failure. The best matches are long enough to dominate the card's identity.
ITR Wrestling ranks WrestleWar fourth among WCW's five 1990 pay-per-views and calls it essentially a one-match show saved by the superb Flair-Luger main event, while still recognizing the Rock 'n' Roll Express-Midnight Express match as strong old-school tag wrestling. Retro Pro Wrestling reaches a similar conclusion, calling Flair-Luger the best match on the card by a wide margin and praising the Express rivalry.
The WrestleFile match scores average 6.586. The complete event receives B- / 7.2 because the two best matches account for more than an hour, the crowd peaks are excellent and the historical circumstances give the main event additional weight. Historical Significance is graded separately at A and does not mechanically inflate the match-quality average.
RESEARCH SOURCESSources & Methodology20 sources
These sources support the event record, historical context, critical reception, and streaming information used throughout this Event File.
- Retro Pro WrestlingFull-event retrospective and match-by-match assessment
- CagematchExact-event identity and current event rating reference
- Cagematch - ratingsCurrent event and match reception reference
- ProFightDBExact-event card and results identity cross-check
- 411Mania - SmarK Retro RepostHistorical WrestleWar 1990 retrospective
- 411Mania - Robert Leighty Jr.Modern full-event retrospective with 7.0 overall rating and individual match ratings
- SMARKDOWNFull-event retrospective and match assessment
- Inside PulseHistorical WrestleWar 1990 retrospective
- WrestlingSmarksWCW pay-per-view retrospective discussion and WrestleWar context
- Wrestling RecapsDetailed event recap and results cross-check
- The History of WWENWA and WCW 1990 chronology and results cross-check
- Wrestling EpicenterWrestleWar results-history cross-check
- ProWrestlingOnlyCommunity retrospective discussion and match reception
- WrestleViewWrestleWar 1990 results-history cross-check
- F4WOnlineHistorical February 25 wrestling chronology and WrestleWar context
- BrainbustrEvent and individual match reception reference
- ITR WrestlingComparative ranking within WCW's 1990 pay-per-view schedule
- TheSportsterComparative WrestleWar match-reputation context
- CritiFanEvent identity and release-history cross-check
- Sean O'Maniac Wrestling ReviewsFull-event retrospective
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